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Bluesfest 2025 Day 4 was another standout in what has already been a festival for the books. From indie folk gems to high-octane party sets, the day was packed with unforgettable performances and genre-bending talent. As the sun dipped behind the horizon, the legendary Shania Twain brought pure joy to Ottawa, closing out the night with a show full of hits, heart and sparkle.
The diversity of acts made for a day that had something for everyone. With packed tents, soaring harmonies and high spirits, Day 4 showed once again why Bluesfest is one of the most exciting festivals in the country.
Jessie Simmons kicked off the tent stage with style. Though her set started a little late, the energy she brought more than made up for it. Her band introduced the show with a dramatic flair using the iconic sounds of “The Final Countdown,” setting a fun tone for what was to come.
Simmons had the crowd swaying with smooth vocals and rhythmic beats. Her sound was fresh and lively, bringing the audience to life. Even in the early hours, fans gathered and cheered as she worked the stage like a seasoned pro.
Opening the main stage was Buck Twenty, a five-piece band that came ready to make an impact. Their chemistry was undeniable, and the way they interacted with the crowd felt effortless. It was clear these musicians love what they do.
Their set featured a fun mix of originals and clever covers including Post Malone’s “I Had Some Help,” Wheatus’ “Teenage Dirtbag,” and the ever-iconic “Stacy’s Mom.” Every track had fans singing along and dancing, setting the perfect upbeat mood for the main stage.
The indie-folk trio Leverage for Mountains brought a soothing yet energetic vibe to the afternoon. From the moment they took the stage, their blend of acoustic and electric guitars, along with box drum percussion, captured the crowd’s attention.
Their harmonies rang out like a cool breeze in the blistering heat. The warmth between the band members and their audience made for a truly uplifting set. It felt more like a backyard jam session than a festival show, and fans were clearly loving it.
Alanna J Brown created a magical space with her blend of jazz, folk, and indie rock. Opening with the original song “One Behind The Other,” she immediately had the crowd tuned into her rich and ethereal vocals. Her stage presence was soft yet commanding.
Six months pregnant, she stood radiant, cracking jokes between songs and connecting warmly with the audience. The atmosphere was cozy and communal, and her voice soared through the auditorium in waves of emotional depth.
Darrell Nulisch brought an old-school blues vibe to the tent stage. With solid lighting and a gradually building crowd, his set felt like a nod to the roots of the festival. It was a performance that felt both traditional and timeless.
His smooth vocals and relaxed style gave the audience space to groove. The crowd swayed in unison, soaking up the classic blues atmosphere Nulisch is known for. It was a subtle highlight of the afternoon.
Allan Doyle came out swinging with boundless energy. From the moment he took the stage, the audience was all in. His rollicking performance of “When I’m Up I Can’t Get Down” had fans dancing and singing along with joy.
His band kept the momentum going with playful banter and extended jams that showed off their musical chops. It was less of a concert and more of a celebration, led by a frontman who knows exactly how to work a crowd.
The Paper Kites gave one of the most visually and emotionally immersive performances of the day. With a packed crowd pressed against the railings, they took the audience on a journey of lush melodies and sophisticated storytelling.
Fans sang every word as the band rotated through instruments, including a surprise banjo moment that drew massive cheers. Their light show added to the dreamlike quality, making the entire set feel like stepping into a different world.
Edwin Raphael transformed his set into a soul-soothing experience. Warm green lighting wrapped around the audience like a hug as his blend of Indian and Western folk influences filled the space. Songs like “Will You Think of Me Later?” were deeply moving.
His set felt meditative and healing, offering a welcome pause from the festival’s chaos. The crowd responded with quiet appreciation, fully engaged in the moment. It was a peaceful standout of the day.
Big Freedia took over the stage with pure fire. Her mix of hip hop beats, bold dancers, and DJ flair turned the tent into an all-out party. The energy was off the charts, and the crowd was literally shaking.
Everyone was dancing without hesitation, delivering one of the most energetic sets of the entire day. It was loud, wild, and absolutely unforgettable. A true show stealer who left fans buzzing long after the final beat.
Toronto’s own Wild Rivers gave fans a feel-good performance filled with joy and connection. Vocalist Devan Glover beamed as she twirled around the stage, clearly thrilled to be part of the moment. Their indie-folk sound was rich with harmonies and honest lyrics.
The chemistry among the band members was heartwarming, and their genuine interactions added a layer of intimacy to the set. Fans knew every word, turning the show into a beautiful collective experience.
Shania Twain closed out Bluesfest 2025 Day 4 with a performance that felt iconic. From her opening song “Don’t Be Stupid” to the explosive finale “Man! I Feel Like a Woman,” she delivered hit after hit with flawless vocals and radiant charisma.
Her mostly female band backed her with energy and precision, while her interaction with a young fan in the crowd added a heartfelt moment that brought smiles to thousands. Shania is still the one, and Ottawa was lucky to be part of her world for a night.
Bluesfest 2025 Day 4 wrapped up the first half of the festival with style, heart, and unforgettable music. Shania Twain’s grand finale was the perfect way to celebrate everything the past few days have offered. Now it is time to recharge and get ready for the next wave of artists.
Part two of the festival kicks off Wednesday night with the legendary Def Leppard ready to ignite the main stage. If the first four days were any indication, the rest of Bluesfest 2025 is going to be even bigger.
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