The Return of the Ubiquitous Synergy Seeker

In a brief pocket of mercy between cold snaps and snowstorms, Halifax welcomed back Canadian electronic-rock shapeshifters USS (Ubiquitous Synergy Seeker) for the first time in nine years. The stop came as part of their short-and-sweet The Weekend Warrior Tour, and served as a reminder that live music still has the power to thaw even the most stubborn Maritime winter. Along for the ride was another beloved Canadian voice, Menno Versteeg, setting the tone for a night rooted as much in storytelling as sound.

Menno
Menno - Halifax

Menno may be most widely known as the frontman of the indie rock band Hollerado, but on this night, he proved himself just as much a raconteur as a musician. Armed with an acoustic guitar and an easy, magnetic presence, Menno threaded songs together with stories that felt deeply personal yet strangely communal.

He spoke about his grandparents — how his grandfather immigrated from Poland via the Halifax and ultimately met his grandmother while working on a farm out West. He joked about bleak tour memories, including a stay in a grim hotel room with a floor littered in dead flies, and reminisced about sharing Halifax stages over the years with the likes of Billy Talent and Adam Baldwin.

One of those stories bled seamlessly into the song “Bad Dog,” a mischievous, heartfelt ode to a childhood pet that caused plenty of trouble but was loved all the same. The crowd latched onto it, gleefully singing along to the hook “he’s a bad dog, a bad bad dog.”

As his set neared its close, the room softened. Menno paused to acknowledge the shocking loss of Canadian icon Catherine O’Hara, who had passed away the night before. He shared words written by his wife, Anne Murphy, O’Hara’s longtime co-star on Schitt’s Creek, offering what she called “Coles Notes for those who want to study greatness.” The wisdom landed gently but firmly: “giggle always, stick with your lovers and laughers, make suggestions even if they overstep, acknowledge when things don’t work, and be grateful when they do.” It was a rare, tender moment of collective reflection, met with quiet reverence.

After a stripped-down acoustic take on Hollerado’s “So It Goes,” Menno closed his set with one final story — finding himself alone in Reno at Christmas, fresh off the breakup of his band, sitting in the darkness and writing his way through it. That experience ultimately became his debut solo album Why We Run, and he poured every ounce of that journey into “A Light On You,” sending it out into the room like a promise.

USS
USS - Halifax

Before their set started, a fusion of late 90’s/early 2000’s more grungy hits, spun together by Surge 105, came over the speakers to prime the crowd. When USS finally took the stage, the room shifted instantly. After nearly a decade away from Halifax, the alt-rock-electronic group returned like they’d never left, greeted with a roar that felt part relief, part reunion.

For a band whose music has long lived at the intersection of catharsis and chaos, it was clear this show meant something to both sides of the stage. True to form, USS wasted no time detonating the energy in the room. The bass hit hard, the beats pulsed through the floor, and the crowd was immediately jumping, dancing, and shouting lyrics back like muscle memory. The winter fatigue was shaken loose within the first few songs.

Their set pulled from across their catalogue, weaving together fan favourites with newer material in a way that felt effortless. Tracks like “Works Shoes,” “This Is The Best” and “Shipwreck” landed with force, each one reigniting the room.

Ash Buchholz stomped the stage with kinetic intensity, pairing commanding vocals with fierce guitar strumming that made his distorted acoustic sound monstrous. Jason “Human Kebab” Parsons jumped headfirst into the chaos from behind the decks and across every inch of the stage, sculpting massive soundscapes and yelling euphorically into the crowd. He even found himself on the barricades face-to-face with the crowd for a moment during “Yo Hello Horray (Everyday).”

Despite a hiatus for the band, the chemistry between them remains undeniable, gifting their fans with a balance of grit and groove that keeps the momentum relentless. Between songs, Parsons took moments to acknowledge the long gap since their last Halifax appearance, expressing genuine gratitude for the crowd that showed up loud, loyal, and ready to throw down. Before the show had started, the venue had notified them of the night’s turnout, which has now become the largest Halifax crowd USS has played for. The band also gave thanks to Menno, both for accompanying them on their shows and for the unyielding support throughout their 15-year career.

As the night pushed toward its close, there was no sense of fatigue, just a longing for more. After the final notes of “Yin Yang” echoed through the room, the band exited the stage and left the crowd demanding an encore as they chanted “USS! USS! USS!” Buchholz returned first, much to the crowd’s delight, delving into a solo performance of “Built To Break.” His heavy grunge influences, notably the singing style of Our Lady Peace, was on full display here. The full band returned and jumped into “2 15/16,” followed by “Anti-Venom” and Parson’s famous handstand. The encore closed out with a personal favourite of mine, “Damini.” As the crowd cheered in delight, the band came to rest together on the drumkit, ending the night with an ode of thanks by singing a verse of “Hakuna Matata.”

Closing Thoughts

It wasn’t just a night of USS in Halifax, it was a triumphant return to the group’s greatest form and the reclamation of our city as one of their own. Judging by the reaction in the room, as well as the genuine devotion USS seems to have to their Maritime fans, it’s safe to say we won’t be waiting another decade for the next round.

 

Thank you Sonic Concerts for another fantastic show! Be sure to keep up with USS and Menno for upcoming shows and new releases.