Chappell Roan gets very playful with this track, it is meant to be fun and not taken too seriously. The intense fiddle and banjo playing at the start sets the tone for the rest of the song. It’s loud, it’s campy, it’s queer country, and I love it! The way Roan takes the genre and molds it to fit her style is seamless. The lyrical brilliance of talking about pleasing a woman better than any man on a country song is incredible, and so unapologetically Chappell Roan. It has an early 2000s Dixie Chicks and Shania Twain sound that gives it a nostalgic feel.