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The Dead South with Henry Wagons in Winnipeg

On October 30th, the Burton Cummings Theatre in Winnipeg reverberated with the distinct energy of The Dead South, whose infectious blend of bluegrass and folk-punk captivated a sold-out audience. With Henry Wagons warming up the room, the night promised a feast of foot-stomping, string-slapping, and raw musical grit that left concertgoers in high spirits and ready for more.

Henry Wagons

Australian singer-songwriter Henry Wagons set the tone for the evening with his signature mix of wit, storytelling, and genre-blending musicality. Known for his deep, rich voice and magnetic stage presence, Wagons’ set resonated with fans who may have come unfamiliar with his work but left newly won over by his charm. His folk and country-inspired tunes fit perfectly as a precursor to The Dead South’s style, creating a seamless transition between the acts. Wagons took the crowd through songs that melded humor, irony, and grit, presenting as both entertainer and musician. His storytelling skills shone as he recounted tales between tracks, giving the performance a personal, almost intimate feel within the grand walls of the theatre.

The Dead South

The lights dimmed, the anticipation grew, and The Dead South took to the stage, dressed in their iconic, old-timey outfits, complete with suspenders, hats, and, of course, their instruments. The group wasted no time in launching into their unique brand of high-energy bluegrass, infusing folk roots with a rebellious edge. From the first strum of the banjo to the rumbling plucks of the cello, it was clear that The Dead South came to put on an unforgettable show.

 

A four-piece band hailing from Regina, Saskatchewan, The Dead South has crafted a distinctive sound that draws from bluegrass, folk, and rock influences. With their unique approach to traditional instrumentation, they create a soundscape that is equal parts nostalgic and cutting-edge. The ensemble includes Nate Hilts on vocals and guitar, Scott Pringle on vocals, mandolin, and guitar, Danny Kenyon on cello, and Colton Crawford on banjo. Together, they create a sound that’s gritty, fast-paced, and downright captivating.

The night’s performance was a demonstration of The Dead South’s dedication to musicianship. Hilts’ raspy, powerful vocals, combined with Pringle’s harmonies and the instrumentals from Crawford and Kenyon, wove a tapestry of sound that ranged from somber and haunting to fiery and fierce. The band’s chemistry was apparent in every note, with each member feeding off the energy of the others and adding their own unique touch to the sound. The result was a show that felt spontaneous yet impeccably polished.

 

The Dead South’s appeal lies not only in their music but in their ability to connect with the crowd. Their stage presence is raw and unpretentious, inviting the audience to get lost in the moment with them. Throughout the performance, the band’s dynamic presence kept the crowd on its toes, shifting seamlessly from slower, introspective tunes to fast-paced, foot-stomping numbers that had everyone clapping and cheering along.

 

Hilts, in particular, proved to be a commanding frontman, leading the audience through each song with a passionate intensity that filled every corner of the theatre. Meanwhile, Crawford’s banjo picking added an irresistible groove, and Kenyon’s cello lent a brooding depth to the overall sound. Pringle’s mandolin playing was equally riveting, adding layers of richness to the music. Each member brought a distinct energy, blending harmoniously into a performance that felt cohesive yet uniquely individual.

 

Between songs, the band members engaged with the audience in a way that felt genuine and effortless. There was a sense of camaraderie in the air, as if The Dead South were performing not for strangers, but for a room full of friends. Their humor and humility shone through in these moments, making the performance feel intimate and personal despite the large venue.

 

The Burton Cummings Theatre provided a fitting backdrop for The Dead South’s old-timey aesthetic, with its classic architecture adding a touch of rustic elegance to the night. The lighting design was simple yet effective, casting shadows that highlighted the band’s movements and added a sense of drama to the performance. The band’s attire and the stripped-down stage setup created a cohesive visual experience that allowed the focus to remain squarely on the music.

 

The lights shifted to match the mood of each song, from deep blues and purples during slower, moodier numbers to warm reds and yellows for the faster, high-energy tracks. This attention to detail created an immersive experience, allowing the audience to fully dive into the world The Dead South had created on stage.

 

Winnipeg’s fans are known for their enthusiasm, and they did not disappoint at this show. From the moment The Dead South took the stage, the audience was fully engaged, clapping, stomping, and singing along. The energy in the room was palpable, with concertgoers responding to each song with raucous applause. The crowd’s connection to the band was evident; some fans even dressed to mirror the band’s signature style, complete with suspenders and wide-brimmed hats. This dedication spoke volumes about The Dead South’s reach and their ability to resonate with people from all walks of life.

 

The Dead South’s performance at the Burton Cummings Theatre was a masterclass in live music. Their unique blend of bluegrass, folk, and rock elements, combined with their undeniable stage presence, made for a concert experience that was unforgettable. The band’s authenticity and dedication to their craft shone through in every song, making each moment of the show feel alive and unfiltered.

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