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If there’s ever been an event or artist that needs no introduction, it’s Weird Al Yankovic In Auburn. To set the mood, it was a rainy SOLD OUT night at the White River Amphitheater. For fans like myself, this show marked a momentous occasion. It’s not every day you get the chance to see one of music’s most celebrated comedic performers. Talking with concertgoers before Yankovic’s set, many had braved hours of treacherous downpour just to be there for the Bigger & Weirder Tour. Hundreds stood drenched on the amphitheater’s lawn, soggy but smiling, completely unbothered as excitement buzzed through the crowd. Simply being in the presence of Weird Al was enough to spark joy, and everyone knew the wacky ride ahead would be worth it. From rapid-fire costume changes to clever skit reels, Yankovic delivered a performance that gave fans everything they hoped for and then some. Opening the evening on a quirky high note was Puddles Pity Party, setting the stage for the unforgettable Weird Al Yankovic In Auburn.
Michael Geier, better known as his alter-ego Puddles Pity Party, proved to be the perfect choice to open for Weird Al Yankovic In Auburn. Much like Yankovic, Puddles takes beloved songs and reimagines them with a unique, emotional twist that lets the sheer power of his voice resonate through the audience. I first discovered Puddles, as many did, during his 2016 audition on season 12 of America’s Got Talent, where his haunting cover of Sia’s Chandelier stunned viewers. That breathtaking moment carried him to the quarter-finals and launched a career that has since flourished on YouTube and the touring circuit.
Jumping into the performance, Puddles delivered a 9-track showcase that bounced across genres. At one point, he even pulled fans onstage for a segment called “Who Would Like To Help The Clown?”. The setlist featured everything from Harry Carroll’s I’m Always Chasing Rainbows to Little Roger’s parody gem Stairway To Gilligan’s Island. One of the most touching moments came with a soaring cover of Ozzy Osbourne’s Crazy Train, which silenced the amphitheater before erupting in applause. For the finale, Puddles stitched together a wild medley of My Heart Will Go On, Enter Sandman, and One. As credits rolled, Auburn erupted in cheers, giving the world’s saddest clown reason to smile. His performance lifted Washington’s spirits sky high and primed the crowd perfectly for Weird Al Yankovic In Auburn.
Kicking things off on a high note was Tacky. A video of Yankovic singing backstage, and at the pivotal moment he burst onto the stage to a roar of applause. It was the perfect spark to ignite a night of pure spectacle. For a staggering 24 tracks, the performance rolled out as nonstop comedic musical ecstasy. Every hit fans could hope for made the cut. Auburn got a full experience. Nearly every song came with its own costume change, keeping the energy unpredictable and larger than life. While Yankovic swapped outfits, fans were treated to clip reels that traced his legendary career all the way back to the 80s, a reminder of just how deeply his weird brilliance has shaped pop culture.
Smells Like Nirvana, Fat, Dare To Be Stupid, those were just a few of the standout tracks. The clip show between songs was more than filler; it cleverly tied the night together. For example, the Fat music video ended with a mic-drop moment that transitioned perfectly into Yankovic stepping onstage in the iconic fat suit. One of the most memorable moments came near the halfway mark with a medley of 11 songs. Party In The CIA, Eat It, I Love Rocky Road, My Bologna, the list went on. The medley closed with Canadian Idiot, which exploded into a storm of confetti that rained down on the crowd. Another crowd favourite saw Yankovic zipping around the stage on a Segway while performing White & Nerdy, sparking a laugh riot. Callbacks like these defined the night, showing exactly how Weird Al’s comedy continues to bring people together.
As the final moments of Amish Paradise had Auburn waving their hands in unison. Yankovic, dressed in full Amish garb, walked offstage. But the night wasn’t over. A few more tracks kept the crowd on its feet, turning Weird Al Yankovic In Auburn into a full-blown masterpiece. We All Have Cell Phones sent the audience into hysterics, while the final two songs were the ones fans had been waiting for all night. The show closed on Star Wars territory with American Pie parody The Saga Begins and the timeless Yoda. The perfect ending made the downpour outside an afterthought, as thousands left buzzing from an unforgettable night. Weird Al Yankovic In Auburn was all anyone could talk about on the way back to their cars. Even the next morning at the American classic, Black Bear Diner, families could be overheard still laughing and reminiscing. That’s when it hit me. Weird Al isn’t just about the laughs, he’s about connection. About giving people a reason to celebrate together. With a career this long and a tour that still feels fresh, fans like me can only hope a new album is on the horizon.
I’d like to thank Weird Al Yankovic In Auburn for the incredible performance, and their team for allowing us to capture the night. If you’d like to find a future tour date, or find out more on the Al, please visit here: Weird Al Website
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